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This post is in response to If I Could Turn Back Time, where the question was asked, “If you could return to the past to relive a part of your life, either to experience the wonderful bits again, or to do something over, which part of you life would you return to? Why?”

After I graduated from college I landed what would be the best job I ever had.

Dressed in a white sailor shirt and a pair of navy clam diggers (that I bought at a Benneton store in Vienna, Austria) I headed out to my interview at Edrei Incorporated, publisher of Tiger Beat and Right On! magazines to name a few.

My mother was horrified at my outfit because it wasn’t professional enough. But something inside told me the corporate get up wasn’t going to land me this job. With no practical experience, and just out of college, I knew I had to appear funky rather than frumpy. To my relief, the Art Director met me in a pair of jeans and one of those hipster woven pullovers.

I got the job.

I worked there for three years, starting as a low-ranking designer that got all the shit jobs, and finishing as the Art Director for both Tiger Beat and Right On! But that job was so much more than the work.

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Typical me is in the stripped bikini top…front and center.

I made friends. Really good friends at the time. I had my first car, a Karmann Ghia convertible. Weekends were filled with parties and trips to the city with co-workers. There were perks too. Sometimes they would have us model merchandise for give-aways.

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I am the blonde bombshell on the right. What the hell happened to me?

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Big 80’s hair and hooped earrings. That’s me in the orange sweater with that ridiculous boombox.

 

Other times we got tickets to premiers in New York. I remember seeing “The Abyss” at Radio City Music Hall where I got run over by Eddie Murphy’s body guards. I got a freebie to Rambo III, which wasn’t exciting at all, and a bunch of us went to the 30th anniversary screening of “Gone with the Wind,” also at Radio City, where Butterfly McQueen spoke before the movie.

Sometimes we had famous people in the building. Kool Moe Dee, and Big Daddy Kane visited us once, and Tempest Bledsoe from the Cosby Show came for a photo shoot. That was pretty much it during my years there.

While the money wasn’t great, I was living at home and had few expenses. I gained tons of experience, but it wasn’t all art related. I learned that I could belong to a group…that I could be liked…dare I say “popular?” It was something totally new to me, and to be honest, something I never felt at any job again.

Eventually the magazines were bought by Sterling Publications, and I was offered to stay on as the Art Director to both magazines. I turned them down. I was afraid to go work in the City…see this job was a quick 10 minute drive from my home in New Jersey. Going to work in New York meant busses and extra taxes and long commutes. So I said no.

I’ve always regretted it. So I’d go back to that time…I’d be thin and have fun and drive my Karmann Ghia with the top down.

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